Image; courtesy Cornerhouse and the artist
This exhibition of ‘Living Art’ has already caused some controversy within the Live Art sector. Can artists work with animals as equals? Is the use of animals –alive or dead- in art ethical? Go along to Cornerhouse in Manchester and find out for yourself. Open Dialogues will be writing a response to the work seen at the exhibition for this blog.
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INTERSPECIES
Private view: 6pm Friday 23 January 2009
24 January = 29 March 2009 (open Tuesday to Sunday)
Cornerhouse
70 Oxford Street
Manchester, M1 5NH
Touring to London and Edinburgh
'Interspecies: artists collaborating with animals' consists of four new commissions by artists working closely with different species of animal, and three existing works, stimulated by the anniversary of Darwin's birth.
There have been many examples in history of 'living art', where artists have manipulated the actions of swarms of bees, herded sheep,commanded dogs and sent rats down mazes. But can artists work with animals as equals? It has recently been discovered that humans are closer to the higher primates than was previously thought. Following the well publicised observations by primatologist Jane Goodall and others of chimpanzees in the wild, our nearest relatives resemble us more than previously thought, with behaviour reflecting politics, deception and even possibly creativity as well as being able to be taught sign language to communicate with human primates. What does this mean to the way we humans see ourselves as just one species inhabiting a planet in crisis?
The Arts Catalyst is building on its extensive work in bringing knowledge about contested issues in science to the public through this new touring exhibition, opening at Manchester's Cornerhouse. Interspecies comprises new work by a group of four artists (*Nicolas Primat*, *Kira O'Reilly*, *Antony Hall* and *Ruth Maclennan*), and existing pieces by *Rachel Mayeri*, *Beatriz Da Costa *and *Kathy High*. All the artists in Interspecies question the one-sided manipulation of non human life forms for art. They instead try to absorb the animal's point of view as a fundamental part of their work and practice.
*Nicolas Primat* has proposed to work with primatologists and zoos to make a new work in which higher apes are taught video skills. The apes will make the creative decisions, with humans simply providing guidance and training. Primat's work explores how the animals' natural communication skills can be extended into the realm of human/ape creative collaboration.
*Kira O'Reilly*, one of the most experimental and controversial performance artists in the UK, will present an action/installed performance featuring herself and a sleeping female pig. The work addresses the ethics of human and non-human animal interaction, acknowledging the implicit ambivalences and violence in the appropriation of animals as a resource.
*Antony Hall *will encourage the public to directly communicate with live electric fish in the gallery space, through mild electrical impulses (both tactile and visual). The artist's motivation for this project relates to his long term interest in aquariums. Typically installed as calming objects, on closer inspection there are revealed as contained environments of both aggressive conflict and submissive tolerance.
The Department of Eagles (*Ruth Maclennan*) will produce will examine the relationship between falcons and falconers. For centuries, these birds have served to naturalise human surveillance. Arguably, their existence only continues today through human intervention such as tagging, breeding programmes, and the construction of artificial nesting environments.
Two existing works will also be shown in the touring exhibition: *Rachel Mayeri*'s 'Primate Cinema', which casts human actors in the role of mating non-human primates, *Beatriz Da Costa*'s 'PigeonBlog' which investigates the military use of homing pigeons.
Interspecies will tour during the Darwin 200 celebrations in 2009. 12 February 2009 marks the 200th anniversary of Darwin's birth. Interspecies will open at Cornerhouse in Manchester in January 2009, and then travel to Northumberland, London and Edinburgh A series of talks and debates between the artists, writers, scientists and animal welfare experts will accompany the exhibition.
