
Wednesday, 22 December 2010
How can writers and artists work together?

Sunday, 17 October 2010
Glorious opportunities
Thursday, 30 September 2010
Performance Matters - Performing Idea
Sunday, 26 September 2010
Lies

by Mary Paterson
Thursday, 16 September 2010
Open Dialogues and Edge of Europe - ANTI

Wednesday, 4 August 2010
WORK IN PROGRESS
Wednesday, 23 June 2010
TALK: Art Writing Field Station at Lecture.Free School
A small part of Mary Paterson's talk, a small part of ART WRITING FIELD STATION at LECTURE.FREE SCHOOL, at Bethnal Green Library on Thursday 24th June, 10am - 12pm.
ART WRITING FIELD STATION is curated by VerySmallKitchen, and includes contributions from David Berridge, Tamarin Norwood and Marit Muenzennberg with live broadcast by Karen di Franco and Concrete Radio.
LECTURE.FREE SCHOOL is curated by Edward Dorrian/ Five Years Gallery
More information on both is here.
Wednesday, 16 June 2010
(Henry) Moore Please
Henry Moore’s scultpures used to cause a stir. ‘A monstrosity,’ said one reviewer from the Daily Mirror, about the Leeds Reclining Figure in 1931. The general public disliked his work – sculptures were vandalised and protested against; one in the Ruhr was even tarred and feathred. And the establishment didn’t rally behind him either. Two former presidents of the Royal Academy, Alfred Munnings and Charles Wheeler, were still throwing insults at Moore by the late sixties, even though he’d been known as a major artist for over thirty years.
Yes, that Henry Moore. The artist who’s large, bronze shapes you have walked past, sat under, used as landmarks, or ignored. What happened? Did we become inured to Moore – familiarity breeds contempt. Did we stop seeing scultpure as a site for radical experimentation? Or did we just stop seeing at all? The question asked by the organisers of Moore Outside is: how can we make Henry Moore interesting to a 21st century audience?
Moore Outside is an interactive game produced by Coney in conjunction with the Moore collector John Deedham. Participants are invited to visit one of 8 Henry Moore sculptures on public display in London, listen to an mp3 downloaded from the project website (http://www.tate.org.uk/britain/exhibitions/henrymoore/grandexperiment.shtm) and submit their personal responses. For every sculpture you visit, you receive a discount on the ticket price for the retrospective at Tate Britain.
Moore said, ‘Everyone thinks that he or she looks, but they don’t really you know.’ So here is a stimulus to keep looking – and to look in a certain way. But the aspect that makes Moore Outside most interesting to a contemporary audience, has nothing to do with education; or even the twin carrots of technical adventure and financial incentive. Instead, it is about space and mutuality. By provoking people into looking and listening to other interpretations (the mp3 I listened to made my hair stand on end in disagreement), Moore Outside blasts open a space to concentrate on the sculpture. And by inviting audience responses, it constructs that concentration as a reciprocal gesture.
Audience responses will be fed into the game itself, which means that it is a system built over time and out of collaboration. The net result is a shared, growing body of knowledge inspired by Henry Moore. Coney, which describes itself as an 'agency of adventure' is known for creating work that places the audience at the centre of an engaging world. I suspect that this is also what Moore meant when he talked about looking – not just a way of seeing what is in front of you, but of approaching the whole world anew. Sometimes, a work of art makes you recalibrate the world. Moore Outside begins by recalibrating public sculpture - let’s see where it takes us.
Moore Oustide runs until 8th August, as does the Henry Moore show at Tate Britain. For more information:
http://www.tate.org.uk/britain/exhibitions/henrymoore/grandexperiment.shtm
For more information on Coney: www.youhavefoundconey.net
Monday, 24 May 2010
Call for Proposals for two new Live Art commissions, from the Live Art Development Agency
Wednesday, 19 May 2010
PEDAGOGY, PERFORMANCE AND FEMINISM

• What roles can an artist/ art practice play in creating knowledge about the past?
Institute of Contemporary Arts, The Mall, London SW1Y 5AH, +44 (0)20 7930 3647
+44 (0)20 7930 3647
Saturday, 15 May 2010
A conversation with Sonia Dermience, Friday May 21st, 7 - 9pm
Mary Paterson will participate in a conversation with Sonia Dermience, Friday May 21st 7 - 9pm.
VerySmallKitchen, in collaboration with Short Term Solutions, will hold a public conversation on connections of writing, exhibition and publication, with Sonia Dermience on Friday May 21st 7-9pm.
The conversation will unfold from a consideration of ‘Y-The Black Issue’, a publication and exhibition project curated by Sonia Dermience /In residency at Far Away So Close, which she describes as follows:
The exhibition Y is a decor, a mise-en-scène for action whilst the publication Y is a script for a project motivated by the desire to combat the darkness and cold. For the exhibition, which takes place in the context of a small seaside city, deserted in the winter by tourists, the artists assembled material to create a large scale installation. The publication Y is conceived as a collectively created artists book, a black and white reader in which the contributions overlap to mirror its process of creation. In pocket book form, it highlights the relationship between the curators, artists and designers through the gathering of fragments of conversations, poetry and images about SAD (seasonal affective disorder), melancholy, northern lights, weather, countryside, second residencies…
All welcome. The conversation will be a round table facilitated by David Berridge, Karen Di Franco, Marit Muenzberg and Mary Paterson.
This is a semi-public event at the Short Term Solutions studio space in Bethnal Green. To reserve a place and receive directions please email David at verysmallkitchen@gmail.com
For more information, please see Very Small Kitchen
Thursday, 13 May 2010
Memory Exchange
- Welcome to the Memory Exchange.
- Please write a memory on a memory card.
- Submit your memory to the memory archive. This is now the property of MemoryExchange and will be donated to another person.
Forget it. - The archivist will give you a new memory. This is now your memory. Remember it.

Thursday, 15 April 2010
Launch of In Time, and thoughts on the definitions of art

Wednesday, 7 April 2010
Audience horror stories and ‘The Many Headed Monster’ by Joshua Sofaer
