Saturday, 10 January 2009

Free Press: Writing Project

Open Dialogues has been selected to take part in 'Free Press', the collaborative writing project run by Trade Union at Plan 9 in Bristol.

Trade Union is a project initiated to explore ideas around late capitalism - in particular the economies of contemporary art and the possiblities that could arise from the current geopolitical climate.

The Free Press project is a critical collaborative project where participants decide the form and content of a Free Press publication, produce the final document and decide how it will be distributed.

The production of Free Press will happen 6-8 March 2009, at Plan 9 in Bristol when the participants meet for a three day collaborative workshop. At that workshop we will be working through several issues such as;

* What critical models are currently available to artists/writers?
* What would a ‘free press’ be in relation to contemporary art?
* How could we all write responsively, collaboratively and critically in a free press publication?
* Where is the radical edge now situated? - And are its motives and politics different from our artistic predecessors of 1968 and the early 20th century avant-gardes?


To see the groups' dialogue on Free Press see http://freepressdialogue.blogspot.com/

Critical writing competition 2009, New Art Theory

New Art Theory is a yearly competition to recognise the best emerging new writing talent in the visual arts.

New Art Theory gives those still at, or just after graduating from any BA, MA or equivalent international program the opportunity to publish their work in the context of a professional publication. With a yearly winner nominated from the published shortlist of the worlds most promising new critical writing talent on the subject of art.

New Art Theory is currently the only open writing competition for graduates working in the visual arts. Its purpose is to extend the opportunity for open critical debate in art outside the educational institution. Judged without reference to applicant details by a diverse panel of experienced writers, critics, curators and artists it allows applicants a democratic chance for the merits of the work itself to shine through.

Eligibility

New art theory 2009 is open to all final year undergraduates, current postgraduates and recent graduates of no more than 3 years from of any BA, MA or international equivalent course provided the submission is on the subject of art. Submissions must be made in English Language only.

Submissions for New Art Theory 2009 must be made by March 31st 2009 to

editor@new-art-theory.org

For more information on application guidelines please visit us at

www.new-art-theory.org

or email info@new-art-theory.org

Contact Louise Downe editor@new-art-theory.org


New Art Theory is Sponsored by TATE.ETC Magazine

Wednesday, 7 January 2009

Legacy: Thinker in Residence Awards

Two artists receive Live Art awards of £30,000 each.

The Live Art Development Agency and Tate Research are delighted to announce that Anne Bean and Tim Etchells will receive Legacy: Thinker in Residence awards of £30,000 each.

The Legacy awards have been set up in recognition of the breadth of influence of Live Art practice in the UK today, and to acknowledge its achievers and achievements over the last few decades. These two awards celebrate artists whose outstanding bodies of work have tested the nature and possibilities of live practices and who have had a demonstrable influence on the development of the Live Art field.

Bean and Etchells will carry out extensive research throughout 2009 addressing the legacies of performance in art historical contexts, examining the processes and challenges of archiving live work and looking at aspects of their own performance practice in relation to these. Following this, they will translate their findings into the creation of their own legacies, that may take the form of new artworks or publications.

Lois Keidan of the Live Art Development Agency said “Live Art is often an ephemeral and fleeting experience. It raises many questions about what it might leave behind and poses challenges for the artist, the archivist, the art historian, the scholar and the audience alike. Legacy: Thinker in Residence Awards will provide Anne Bean and Tim Etchells with the unique opportunity to examine these issues.”

Nigel Llewellyn, Head of Research at Tate said: “These are pioneering awards which will mean that that the legacy of live art can be thoroughly examined by two outstanding practioners. I have no doubt this research will yield extremely valuable material which will not only shed light on current practice but which will also form a basis for future thinking in this area.”

Following a national nomination process begun in August 2008 and involving over fifty key UK curators, writers, and thinkers, a longlist of forty-nine artists was drawn up for consideration. From these, twelve of the UK’s most influential and inspiring artists were invited to submit proposals on how they would approach the idea of legacy.

The final decisions on the awards were made by a selection panel comprising: Lois Keidan and Daniel Brine (Live Art Development Agency); Nigel Llewellyn (Head of Tate Research); Lizzie Carey-Thomas (Curator Tate Britain); Vanessa Desclaux (Curator Tate Modern); Michael Morris (Director, Artangel); Stella Hall (Creative Director, Newcastle Gateshead Initiative), Claire MacDonald (Centre Director, International Centre for Fine Art Research, University of the Arts London); David A Bailey (senior curator, Autograph); and Mark Waugh (Director, A Foundation).

Panellist Claire MacDonald described the recipients as “two brilliant artists who speak to the present condition and the history of performance in distinctive and powerful ways”.

Legacy is a one-off initiative developed in collaboration between the Live Art Development Agency and Tate Research. It is financially assisted by Arts Council England and the Live Art Development Agency.

............................

Anne Bean (Born 1950, Zambia. Resident in London) has undertaken numerous solo and collaborative projects worldwide, for nearly 40 years, in diverse media including performance, installation, drawing, photography, video and sound, using materials that range from fire, wind, steam and honey to laughter and breath. In early 2008 she was commissioned by the National Archives to create a permanent installation for their museum at Kew. In summer 2008 she went to Croatia, Iraq-Kurdistan and Spain where she worked with local people to develop and produce performances and installations referencing local history. In autumn 2008 she presented 4 installations for Power Plant, a part of a Liverpool City of Culture programme commissioned by the Contemporary Music Network as well as a performance for Liverpool Biennial Made-Up Weekend. In November she completed a video inspired by Darwin, commissioned by Artsadmin and DVDance supported by the Wellcome Trust and Calouste Gulbenkian Foundation. In 2007, she was the International Fellow at Franklin Furnace Archives, New York.
www.annebean.net/


Tim Etchells (Born 1962, UK. Resident in Sheffield) is an artist and a writer. He has worked in a wide variety of contexts, notably as the leader of the world renowned performance group Forced Entertainment and in collaboration with a range of visual artists, choreographers, and photographers including Meg Stuart, Elmgreen & Dragset, Hugo Glendinning, Vlatka Horvat and many others. His work ranges from performance to video, photography, text projects, installation and fiction. He has also developed a unique voice in writing for and about performance - his monograph Certain Fragments (Forced Entertainment and Contemporary Performance), (Routledge 1999) is widely acclaimed. Etchells has also published fiction; Endland Stories (Pulp Books 1998) and The Dream Dictionary (for the Modern Dreamer) (Duck Editions, 2000) are now followed by his first novel - The Broken World - which takes the form of a guide to an imaginary computer game and was published by Heinemann in July 2008. In recent years he has exhibited work at Sketch and Butchers (both London), Netherlands Media Art Institute (Amsterdam), Sparwasser HQ (Berlin), Art Sheffield 2008, ArtFutures (Bloomberg SPACE, London), The Centre for Book Arts, Canada and Exit Art (all New York), Kunsthaus Graz and Manifesta 7 in Italy.
www.timetchells.com/

Thursday, 11 December 2008

Open Dialogues : New Life Berlin



Open Dialogues: New Life Berlin was a collaborative writing project that explored the possibilities of contemporary critical, theoretical and art writing in the context of the New Life Berlin Festival (31st May -15th June 2008). 

The three main themes of the New Life Berlin festival were: Transnational Communities, Artistic Social Responsibility and Participation and Intervention. And Open Dialogues: New Life Berlin matched the structure, themes and artistic content of the festival itself: it was curated but participatory at its core, and it involved on and offline communities in examining artistic responsibility and new modes of existing for art critics. Within this model, the purpose of the programme was four fold; 1) to provide critique on, and documentation of, the festival, 2) to examine the notion of community, 3) to explore the role of criticism in relation to participatory art and 4) to act as professional development programme for new and existing international critical writers.
 



The Open Dialogues: New Life Berlin blog included all the texts written by the 21 international writers on the Open Dialogues: New Life Berlin programme, three of whom experienced the festival online from across Europe and the US. Combined, their output represents 5 interviews, 3 previews, 27 reviews and 15 opinion pieces relating to the socially engaged and collaborative art work at the festival and the practice of critical writing. There were also two printed publications produced as part of Open Dialogues: New Life Berlin. The PDF’s of these publications can be emailed to you on request to opendialogues@gmail.com. 


Open Dialogues: New Life Berlin programme: 

31 May, 10.30am - 5.30pm Writers’ Workshop
 
2 June, 2.30pm -5.30pm Writers’ Meeting
 
5 June, 5pm -7pm Peer Critique
 
7 June, 5pm -7pm Live Review
 
7 June, Publication of Open Dialogues: New Life Berlin ‘issue 1’
 
12 June, 5pm -7pm Peer Critique
 
14 June, Publication of Open Dialogues: New Life Berlin ‘issue 2’
 
15 June, 11am - 1pm Plenary Session
 

7 June Open Dialogues: Live Review
 :
The Open Dialogues: New Life Berlin Live Review was a showcase of, evaluation for and live critical response to Open Dialogues and New Life Berlin. Special guests included:
 
Martin Rosengaard and Sixten Kai Neilsen (Wooloo Productions)
 
Doreen Mende (General Public, Berlin)
 
Tatjana Fell and Lisa Glauer (Arttransponder, Berlin)
 
Anonymous Representative (30 Days in New Life Berlin)
 

The web archive:



The Writers:

The writers on Open Dialogues: New Life Berlin were Anga'aefonu Bain-Vete, Alfredo Cramerotti, Clare Carswell, Alexandria Clark, Mary Kate Connolly, Kathryn Fischer, Eleanor Hadley Kershaw, Christina Irrgang, Joanna Loveday, Cheree Mack, Matthew MacKisack, Carali McCall, Charlotte Morgan, Christin Niehoff, Ann Rapstoff, Valerie Palmer, Carrie Paterson, Kara Rooney, Heiko Schmid, Claire Louise Staunton and Eliza Tan. More details about the writers can be found on the CV section of http://www.wooloo.org/opendialoguesblog/
 

Open Dialogues: New Life Berlin was facilitated by Rachel Lois Clapham and Mary Paterson, the Directors of Open Dialogues, with assistance from Christina Irrgang (Open Dialogues 
Associate, Berlin). 


All photographs courtesy Open Dialogues : New Life Berlin






Saturday, 6 December 2008

Performance Saga texts - online

Images: Peter Vittali, 'The Second Person' at Performance Saga Festival - Bone 11, Schlachthaus Theater, Friday 5th December 2008. Photograph (c) Martin Rindlisbacher

www.performancesaga.blogspot.com

Read about last night's performances from Peter Vittali, Martha Rosler and Wagner-Feigl-Forschung.

Also, Thursday's performances from Carolee Schneeman, Gaspard Buma and Irene Laughlin & Jorge Manuel de Leon, and Wednesday's performances from Alison Knowles and Die Maulwerker.


(All We Need is) Radio Ga Ga

'Incommunicado FM'
Matt & Ross
Image courtesy the artists and Site Gallery.







Radio Ga Ga

Thursday, 4 December 2008

Performance Saga texts - online

www.performancesaga.blogspot.com

Read about last night's performances from Carolee Schneeman, Gaspard Buma and Irene Laughlin & Jorge Manuel de Leon, and
Wednesday's performances from Alison Knowles and Die Maulwerker.

Images: 1)Alison Knowles at Performance Saga Festival - Bone 11, Schlachthaus Theater, Wednesday 3rd December 2008. Photograph (c) Martin Rindlisbacher

2)Drawing of the concert by Aliosn Knowles and Die Maulwerker, by Chris Regn.